Showing posts with label Urban Legend. Show all posts
Showing posts with label Urban Legend. Show all posts

Monday, January 20, 2014

Volumes from the Crimson Hexagon: Urban Ecosystem Disruption: Theory and Practice

Urban Ecosystem Disruption: Theory and Practice

Author: Zeno Citium (pseudonym) 1962

Page Count: 424 pages + 45 page unusable index with incorrect page numbers and nonexistent topics

Publication History:

-1962: Originally hand-published and distributed by counter-culture groups based largely in California, Chicago, and Toronto; first recorded occurrence was at the conclusion of a “Guerrilla theater” performance outside the La Brea Tar Pits by a group called “The Wonderworkers”.

-1964: (run of 250) the “Orange Edition”, published by Calabaza Press, a now-defunct “alternative press” in San Francisco.  This edition included a foreword by someone claiming to be Jean-Paul Sarte; this “pseudo-Sarte” was actually proven to have been Arnold Lee Westerfield, a philosophy graduate student at UCLA.

-1967: The entire book (sans index) is published as 10 articles in the February-November issues of “Ch!nga” (v.2, issues 2-11), a radical leftist magazine published by Aleph Press (defunct).

-1971: 100 unbound copies of the “Orange Edition” are discovered in a storage unit in Bakersfield, CA.  These are bound and sold mail-order through magazine ads by an individual identified as “G. O. D. Harp”, though without “Sarte’s” intro.

-1976: Barzai Press (Toronto, Canada) publishes the “Black Edition” in a run of 1000, with the “unusable index” bound upside down.  Only ~500 volumes were ever distributed, as the RCMP raided their offices and confiscated all remaining copies.

-1977: Direct Action Press (Chicago, USA) puts out a 250-page abridged version apparently taken from the Ch!nga articles, excising most of the “theoretical” chapters in favor of the more “practical” methods sections.  An initial run of 200 volumes sells out quickly at their Chicago area bookstore, and a second run of 600 volumes was ordered, though never delivered.

-1981 to 1986: Xeroxed, hand-stapled copies of the original 1962 “Wonderworkers” edition are advertised in the backs of numerous left-wing and survivalist magazines and pamphlets, sourced from a P.O. Box in Bozeman, Montana.

-1989: a text file edition of a work titled “Urban Disruption” appears on-line on several different bulletin boards; these editions quickly become intermingled with other author’s works and writings, resulting in multiple iterations of less-than-faithful copies of the original.

-1994: The “Handbook on Urban Disruption” is offered from Anachronism Press (Los Angeles, USA), a reprinting of Direct Action’s abridged edition plus a collection of largely unintelligible essays on “occulto-anarchism” written by a “St.-G.”.

-2002: digital copies in a variety of formats and of various official and un-offical editions of “Urban Ecosystem Distruption: Theory and Practice” are made available online.     

HISTORY OF “URBAN ECOSYSTEM DISRUPTION: THEORY AND PRACTICE”

“Direct Action” methods are those that attempt to proactively force social change, often through embracing Mao’s famous quote about power growing from the barrel of a gun.  The history of the countercultural movement in America can be viewed as a constant give-and-take between nonviolent, peaceful demonstrators and those for whom violence becomes a means to an end.  The history of many individuals within the countercultural movement can also be seen as a similar ebb-and-flow between these two poles, with some exhibiting greater or lesser flexibility for the use of direct action over the course of their careers.

The strategies, tactics, and methods employed by those bringing direct action into their social movements are a relatively little studied aspect of the history of the 1950s-80s.  To the FBI and CIA, it was clear that most of these techniques were ultimately sourced at the Kremlin as soviet agitprop and covert disruption operations, utilizing American-born counter-cultural warriors as tools for the spread of communism.  In some cases this may have been the case; afterall, some of the countercultural groups were explicitly communist, Marxist, or Maoist in political philosophy, and had contacts or members with international ties.  However, it is similarly demonstrable that some direct action techniques were gleaned from returning Korean and Vietnam War veterans who, having grown disillusioned with American Imperialism and military adventurism, simply transferred their government training to new spheres of operation.  Finally, it is likely that a great number of these techniques were developed experientially, hard won wisdom and skill gleaned from years of battling with the authorities on the streets. 

Occasionally, however, it appears that some proponents of direct action took it upon themselves to organize and disseminate advice and theory.  Indeed, for some groups, their entire purpose was seen as distributing manuals on social subversion; that is to say, teaching direct action techniques became their countercultural act.  Often these were in the form of hand-typed pamphlets, sometimes detailing the philosophical aspects of rebellion, but more often providing brutally efficient treatises on one of more “practical” fields of social disruption, including bomb-building, police evasion techniques, and breaking-and-entering guides.

One text, however, produced only in intermittent, limited runs, had a disproportionate effect on direct action groups.  This text, “Urban Ecosystem Disruption: Theory and Practice”, continues to be a source of information for anarchists, radical groups on the left and right, and rank criminals today.  A simple internet search provides numerous digitized versions available for free download.

In part, this longevity may be ascribed to the text’s rigorously tested practicality; unlike many so-called “cookbooks”, the techniques, practices, devices, and plans provided in “Urban Ecosystems” largely work as advertised.   However, an additional difference between it and its paler imitators may also explain its popularity, specifically the fact that “Urban Ecosystems” combines its practical chapters with intensely researched and well-written “theoretical” sections.  Thus, in a copy of the book, one may learn the art of lock-picking in one chapter, and then read a discussion on the philosophy and history of infrastructural integration in fast-growing cities.  Chapters on bomb-making are interspersed with chapters on the similarities between tropical forest ecosystems and urban ecosystems, complete with “trophic” energy flow charts and diagrams.  To be sure, even the theoretical chapters were written in the service of practical goals of social change and urban chaos.  For instance, the “trophic flow” of Urban Ecosystems helpfully points out bottlenecks in vital services that could be exploited, should one be so inclined.  Even so, these theoretical and academically rigorous sections provide a philosophical and moral, albeit a twisted one, underpinning to practical direct action largely absent in the other media on the same topic.  Similarly, while “anarchic-philosophy” tracts were thick on the ground in the 50s, 60s, and 70s, few of them also provided useful, practical guides alongside the bloviating.  For these reasons, “Urban Ecosystem Disruption: Theory and Practice” has remained the gold standard in direct action manuals.

Authorship of the text is in some doubt; obviously “Zeno Citium”, a reference to a famous ancient Greek Philosopher often touted as one of the first true anarchists, is a nom de plume.  Textural analysis of the chapters has revealed that there must have been at least four authors, although there is no clear pattern to who wrote what.  In other words, the same “author” is as likely to write about bombs and hotwiring cars as they are to deal with the underpinnings of kinematic wave theory for traffic planning. 

Additionally, the anarchic nature of counter-cultural book publishing as well as the subsequent explosion of digitally published versions of the book has resulted in some rather dramatic “mutations” in the text.  Some sections have been removed or edited or annotated by subsequent authors, sometimes to point of producing an unrecognizable “edition” of the book.  For the purposes of this brief history, however, we will adhere to the history of officially published versions of Zeno Citium’s magnum opus, with one important exception.

The first instance of the text being publically distributed was as a hand-bound book at a performance art event in southern California.  A “guerilla theater” group staged an un-licensed, un-permitted, and apparently sexually explicit performance of “Oedipus Rex” with live actors and puppets outside the La Brea Tar Pits.  Preceding the show, members of the troupe handed out approximately fifty copies of the book.  After the police arrived, a further fifty copies were tossed to the crowd and various bystanders along the troupe’s path of flight.  It is to these first hundred copies that all subsequent editions of the book trace their origins.  
Copies of this book, handbound with either thread or glue and cardboard, soon began to show up in other major centers of the counterculture, including Chicago, Toronto, and New York, and were similarly subject to “guerilla” distribution techniques (themselves described in the Book in a chapter titled “Spreading the Bad News”).  Importantly, these early editions included no forward or introduction, but did include the famously unusable Index, with incorrect page numbers and non-existent and bizarre topics making up the bulk (for example, “Lemuria” as a topic is cited on dozens of pages, but never once is actually mentioned in the text; similar treatments can be seen for such disparate topics as “Ethnobotony of Leng”, “Political Necrophilia”, and “Yarn”, to name a few).

In 1964 Calabaza press, a small-run “alt press” based in San Francisco, offered the famous “Orange Edition” with a Forward by “Jean-Paul Sarte”.  This dubious claim was immediately doubted by anyone actually familiar with Sarte’s writings, although it did gain the text some notice in the mainstream press as well as stern denunciations by commenters on the right, who used it as further evidence of the decadent and ultimately destructive politics of liberal higher education.  Eventually, authorship of the Forward would be determined to belong to a philosophy graduate student who, a few years after publication of the “Orange Edition”, would vanish in the Chihuahuan desert.

Calabaza Press would shut down in 1966, though one of its editors, Jane Athene Pisaro, founded Aleph press in Los Angeles, a radical leftist publishing house most famous for their magazine “Ch!nga”, which ran from 1966-1970.  Working off her own annotated “Orange Edition”, Pisaro would publish a series of 10 articles (under the penname Athene Loyolla) in the ’67 run of Ch!nga on “Urban ecosystem Disruption”. 
 These were largely verbatim sections of the original work, edited down and with some of the more dangerous instructions removed, and often bookended by her own introductions and conclusions expanding on her own ideas regarding direct action techniques.

In 1971, several boxes of unbound copies of the old “Orange Edition” were found in a storage unit in Bakersfield California.  Whose copies these were, and how they got there, remained a mystery, although Pisaro did have family in the oil town of Taft, not far from Bakersfield, and as such seems the most likely candidate.  Similarly, it seems possible that Pisaro herself was “G.O.D. Harp”, the individual who had the copies bound and offered for sale in a variety of publications, although that is only speculation as her movements after Aleph press folded in 1970 are unknown.   Pisaro died of a drug overdose in 1980.

Regardless, the “Harp Edition” was an important moment in the book’s history, as up to that point it had mostly only moved through left-leaning circles.  Advertisements for this edition, however, included journals and magazines on both sides of the political spectrum, as well as the more politically neutral publications of the then nascent green living/survivalist/primitivist movement. 

Based on typographical errors and word choice, it is believed that one of the “Harp Editions” served as the base for the 1976 “Black Edition”, a volume put out by Barzai Press in Canada.  It is believed that this is the largest ever print run for the work, as Barzai ordered 1000 volumes of the book (sans the “Sarte” introduction). 

It was the “Black Edition” that brought the book to the attention of the law enforcement community.  First, copies of it were found in police raids on suspected “subversive” groups in both the pacific northwest and American south.  Second, it played a part in the famous “White River” murders, where pages of this book were used to wrap body parts and organs sent to the police in Cheyenne, Wyoming.  The pages used for this grisly purpose were exclusively taken from the more theoretical sections, including chapters on psychogeography, ecosystem theory, and liminality in the urban landscape.  At least nine individuals were murdered in the still unsolved case, and the “weird” nature of the wrapping paper fueled speculation about the murderer’s politics.  As a result of the largely negative publicity, the RCMP raided the offices and warehouses of Barzai Press and removed 500 copies of “Urban Ecosystem Disruption”.  It is believed that these copies were destroyed.

Direct Action Press put out a heavily abridged version of the book in 1977, apparently taken from the 1967 Ch!nga articles.  This slim volume was more concerned with the practical lessons to be taken from the book, and excised most of the more theory-heavy sections of the articles.  The initial run of 200 volumes sold out quickly, as “Urban Ecosystem Disruption” had by that point become something of a collector’s item for the counter-culturally inclined.  An additional 600 copies were order, but never delivered, as Direct Action press was shut down as part of a large-scale COINTELPRO operation in 1978, with most of its editors serving jail time for a variety of drug trafficking and obscenity charges.

Intermittently, Xeroxed copies were made available for sale in the backs of many “fringe” magazines, most of them coming out of Bozeman, MT in the early to mid-80s.  Most were apparently based on the Barzai Press Black edition.  The advent of Bulletin Board Systems in the late 80s saw the book’s transformation into the digital realm, the first instance of which was as a text file on a government conspiracy BBS titled, simply, “Urban Disruption”.  Subsequent versions of the file, as well as other iterations, soon began to make the rounds, culminating in the internet boom of the 90s, where heavily edited and annotated “editions” begin to pour from a variety of websites.

The most recent physical iteration of the book was offered by Anachronism Press out of L.A. in 1994, although its relationship to the original versions is noticeable strained by a number of bizarre and heavily occultic essays that have been added.  Most of these have a decidedly millennial or apocalyptic character, and deal with the author’s (a “St-G.”) synoptic and highly idiosyncratic worldview that ties government conspiracy, magic and occultism, and alien abduction phenomena into one overarching master theory.

As mentioned above, the text has enjoyed a relatively long life, a trend that will undoubtedly continue as we transition into a data-age maturity.  Indeed, it is largely this book’s history that has given it its cultural capital on what is otherwise a medium noted for its ephemerality.  The internet has also facilitated its sharing, well beyond the heyday of do-it-yourself printing and binding in the 60s and 70s.  It has been subjected to much editorial control beyond its originators sight, although this seems appropriate given its status as primarily a messenger of anarchy, both literary and otherwise. 

Reproduced below is the table of contents from the original Orange Edition, Calabaza Press, 1964:

TABLE OF CONTENTS

FORWARD by J-P. Sarte………………...……………………………………….vii

Psychogeography of the Urban Landscape: Reconnoitering the Enemy’s Territory…1

Picking Locks 101.............................................................................…32

Tricks for Scaling Fences.................................................................................41

Urban Ecosystem Theory: Form…....................................................................48

Picking Locks 201……………………...……………………………………….65

Urban Ecosystem Theory: Function………………………………...……………………70

Infrastructural Analysis……………………………………………………………..……95

Building a Redbox…....…………………………………………………………………..111

Hotwiring a Car……….….………………………………………………………………133

Spreading the Butter Thin: Disrupting Emergency Services……………...…………136

Manufacturing KNO3 for Fun and Profit.………………………………………………145

Distillation……………………………….………………………………………………..150

Fuses, Primers, Fun………………………………………………………………………160

Lingua Legis: Police Codes and Terminology…..………………………………………164

Napalm, Just Like Mom Used To Make Back On The Farm…..………………………172

Institutional Aggression and The Individual………....………....………………………..180

Fake IDs…..………………………………………………………………………………..195

Chemical Equivalencies…..………………………………………………………………203

A List of Slang and Cant……………………………………………………………………209

Molotov Variants…………………………………………………………………………..214

Tennis Ball Bomb…………………………………………………………………………..225

Liminal Acts in Liminal Spaces: A Primer of Urban Decay……………………………….229

Forbidden Communications….……………………………………………………………..260

Gaming the System: Post Offices, Phone Booths, and Public Address Systems…..278

Smoke Bombs……………………………………………………………………………296

Improvised Weapons………………………………………………………………………313

Evading Surveillance………………………………………………………………………..330

Flash Powder………………………………………………………………………………343

Black Powder……………………………………………………………………………..346

Weird Drugs……………………………………………………………………………….350

Co-opting a Demonstration………………………………………………………………..357

Co-opting a Movement……………………………………………………………………369

Spotting a Narc………………………………………………………………………………377

Raiding a Lab…………….....……………………………………………………………….383

Spreading the Bad News…………………………………………………………………..387

Some Basic Tradecraft……………..………………………………………………………394

Urban Ecosystem Collapse……………………………………………………………….400

INDEX……………………………………………………………………………………..424

Tuesday, October 15, 2013

Volumes from the Crimson Hexagon: A History of The Necronomicon

Necronomicon

PUBLICATION HISTORY

- Written by Abdul Alhazred in ~730 C.E.
- Yazzid III outlaws the Al Azif in 745 C.E.
- Theodorus Philetas translates Al Azif into Greek in 950 C.E., giving it the name “Necronomicon”, meaning    “A Study of the Dead”
- Patriarch Michael orders all copies of the Necronomicon burnt.  Arabic copy believed lost.
- Olaus Wormius produces Latin translation in 1228.
- Pope Gregory IX suppresses both Latin and Greek translations.
- Greek Edition Published in Germany (1440s), quickly outlawed.
- John Dee produces an English Translation in 1575, though it is never published.
- Th e Sussex Manuscript, a partial and very incomplete English translation of the Necronomicon, is published    in very limited numbers in 1597.
- Latin reprint issued in Spain in 1661

A HISTORY OF THE NECRONOMICON

The danger of the written word lies in its longevity; long after the author is dust their thoughts continue to exist, a bridge between different times and different ways of thinking. This danger has long been recognized by those in power, who have enough trouble controlling the lives and thoughts of the living let alone those of the dead, who are beyond the reach of even the direst of threats.  Often the only recourse available to those in power is to transfer their threats and censure onto the works themselves, banning and burning as quickly and as completely as possible in hopes of stemming the tide. Of course there is the danger that, by reacting too violently against a book, you enhance its mystique and demonstrate its potential to those watching.

The Necronomicon is, in many ways, the archetype of such banned and condemned volumes. Written in Damascus in 730 C.E., this volume soon gained a truly fearsome reputation. This is likely a result of its having been penned by a truly Faustian character, Abd al-Azrad (or, more romantically westernized as Abdul Alhazred The Mad Arab), a wizard, alchemist, occultist, mystic, and proto-scientist all rolled into one.


Alhazred lived a remarkable life. He studied in the ruins of Old Babylon, where he is said to have had a nameless thing in a well as a master. He traveled to Memphis, where he learned much forbidden lore from Priests of the Old Gods. He traveled to the Empty Quarter in modern day Saudi Arabia, where he claimed to have discovered Irem the Lost, City of Pillars. More remarkable still was the manner of his death; killed in broad daylight before a horrified crowd, ripped to shreds by an invisible monster.

Before his untimely dismemberment, Alhazred had penned his magnus opus, Al-Azif, a book of hellish magic and terrible prehistory. This volume was quickly outlawed by the Caliph of Damascus Yazid III, although apparently many copies were smuggled both West and East during the chaos of the Abbasid Revlution in the late 700s.

The work reemerged in Constantinople in 950 C.E., translated into Byzantine Greek by the scholar Theodorus Philetas. It is from this translation that the name we all know and love today came: The Necronomicon, roughly translated as “A Study of The Dead”.  The work was quickly damned by the Patriarch Michael around 1050.

The book remained relatively obscure until Olaus Wormius produced his famous Latin translation in 1228 C.E., a volume quickly condemned and ordered destroyed by Pope Gregory IX. As is often the case, this order dramatically increased interest in the work, and numerous copies were produced and disseminated throughout Europe. A new Greek edition, back translated from Wormius’ Latin version, was produced in Nuremburg in 1440, while the famous John Dee produced an expurgated English translation in 1575. Perhaps most famously, the scholars of Toledo, Spain produced a Latin translation in 1661, apparently from an original Philetas Greek volume.

Today, rare copies of the work can be found all over the world. Copies of the 1661 Spanish volume can be found at the Biblioteque National in Paris, in the Miskatonic University Library in Arkham, Mass, at the Widener Library at Harvard, and at the library of the University of Buenos Aires. Two copies of the German
Greek editions are extant, one at the British Museum in London, and a second at the Wallace Library at Shaver University, California. All are heavily restricted.
                                                                                                                                                           (From Samizdat, v.1, n.1)

Saturday, July 27, 2013

Gates to Hell

Gateways to Hell are common features on the mythic landscape, mapped out in fiction and folklore.  It's telling that while there's only one way to get to Heaven, Hell appears to be well served by numerous access points easily accessible to the day hiker or sight-seer.  The countryside is pockmarked with them, whereas it's much harder to pin the location of the Pearly Gates to the map.

Rodin's Gate to Hell
This fascination with the underworld predates Christianity, of course, and much of the modern iconography of the Christian Hell is borrowed wholesale from older religions and myths.  However, the fact remains that humans have always had a deep interest in passages to terrible, otherworldly subterranean realms.  Famous ancient entrances to hell are commonly associated with unusual or spectacular geology, primarily of volcanic origin. Sicily's Mount Etna, for instance, or Mount Hekla on Iceland, both fiery conical stratovolcanoes noted for spectacular displays of pyrotechnics and telluric rumblings.  Similarly, the recently discovered and wonderfully named "Plutonium" of Hierapolis (in modern day Turkey) is closely associated with travertine deposits of an active hydrothermal system, as well as murderously toxic fumes.  This location, complete with temples and state-of-the-art (for the Roman world) tourist facilities was believed to be a conduit directly into Hades.  Animals were sacrificed by driving them into the caves, where they would be asphyxiated by poisonous vapors.  Apparently, they even sold birds to visitors, so pilgrims could chuck them into the caves as see the lethal results of this door to hell for themselves.  One is, of course, also reminded of the Delphic oracle, who was said to breathe subterranean fumes in order to achieve her prophetic visions.

Other Gates to Hell described by ancient traditions are less spectacularly visual than erupting volcanoes or fuming hydrothermal vents, though often equally geological in nature.  As a brief example, to the Romans, Lake Avernus (in the modern day Campania region of Southern Italy) was believed to be the Gate to Hell used by Aeneas, the mythic founder of the Latin people.  Interestingly, Lake Avernus is a crater lake, located in an apparently extinct volcanic cone, although ancient tradition claims that poisonous vapors emitted from the lake killed birds that tried to fly over it.  Today, of course, it is posses no hazard to anybody, though such may not always have been the case.  Active volcanism or the sudden release of built-up carbon dioxide due to lake overturning could be the source of these stories.  Volcanoes, lakes, caves, yawning fissures; all openings into the earth, yonic gates linking two worlds.

Aside from the common linkages of geological and geochemical processes, there is a relationship between these ancient sites of egress into the Underworld and mystical experiences.  Whether these experiences are the biological effects of exposure to vapors or come in the form of more subtle but no less important cultural and social factors, subterranean portals represent liminal spaces between the sunlit "real" world and a shadowy "other place" that is either physically or metaphorically hidden beneath the surface of everyday experience.  Often, this interaction with the otherworld is dangerous or potentially dangerous; toxic fumes, either evident or rumored, serving to remind us that knowledge can be destructive.

A famous medieval Hell's Gate can be found in County Donegal, Ireland, at St. Patrick's Purgatory.  Here, St. Patrick opened a gate to the underworld, using it as concrete proof of Hell's existence in order to convert the Irish to Christianity.  Again, we see how mystical revaluation becomes a major theme of the subterranean gateway, linking our dull and uncertain world to the technicolor marvels of supernormal realms normally hidden from view.  Too, St. Patrick's Purgatory, much like the Plutonium, is a pilgrimage/tourist site, commodifying these spaces of occult knowledge and reveltory gnosis to the masses.

Approaching more modern times, we see an interesting entanglement of Hell Gates with ideas about the Hollow Earth.  Setting aside paradisaical visions of the mundus subterranean, strange gateways into various underworlds were still being mapped out.  For instance, Iceland's Mount Hekla, discussed above, was still described as a gateway to hell in the 1600s, with tales of Eastertime gatherings of witches.  The divergence of stories and ideas about the subterranean world into distinct utopian and distopian threads is interesting, as it maintains the mystical aspects while changing their moral components.  These include the theosophical reimaging of Agartha as an interior "super-terrestrial" command-and-control center inhabited by benevolent Ascended Masters, and can be contrasted with the physically and morally stunted Deros, sadistic mole men with unearthly powers from the the Shaver Mystery mythos.   Detailed discussions of these and other Hollow Earth ideas, however, will have to wait for another article.

Sticking to Hell, we can find plenty of modern gateways in the landscape of urban legend.  These, while common, are noticeably different from previous incarnations of Infernal passages.  First, gone are the erupting volcanoes and smoking fumaroles from the lists, having been replaced almost uniformly by (most commonly) ruined or abandoned buildings and infrastructure or (more rarely) caves and pits.  This is an interesting development, situating these Gateways to Hell in concepts of wilderness, either reclaimed (abandoned landscapes) or "natural" (unexploited caves).  In this way, the mystical associations come to represent Nature, perhaps reflecting the fact that "nature" is now considered as much a part of "otherness" as the underworld.  

A second difference, though still related to the first, is found in the origins of these Hellholes.  Older gateways to hell were, though marvelous, still a part of the "natural" world.  This is partly ascribable to demonstrably real physical and geological phenomena, but must also represent the cultural and religious milieu in which these locales were constructed.  Far from having a secular/sacred dichotomy, the natural world instead represented a cosmic creation where the mundane and the magical intermingled freely as part of the natural order of things.  In such a world, of course there are physical loci for these cosmically important forces. However, in a secular world dominated by a materialist and rationalist worldview, physical access points to "otherplaces" simply become less likely.  More pragmatically, it becomes difficult to accept that a volcano is a door to Hell after hundreds of years of vulcanology and geology have reclaimed these features for the "real" world.

To exist in a world of magma chambers and degassing regimes, modern Gateways to Hell must be situated in modern "mystical" locales.  Almost uniformly, these modern places of mystery and power are found in institutional ruins, particularly in hospitals, asylums, schools, or prisons.  In some cases, the ruins are simply assumed to have been one of these, without any historical evidence; in particular, a perusal of Gateway lists suggests that there was a time when everybody and their brother ran an asylum.  Regardless of the history of a site, the important commonality between these modern Hellholes is their placement in abandoned landscapes of institutional complexes, mysterious places with unclear (or occult?) hierarchies of power and strange practices.  Other than the origin of the location, this is actually fairly similar to volcanic or geological features of the past.  All represent liminal sites dominated by cthonic mystery.

The "Seven Gates of Hell" in Hellam Township, PA is one of the more famous Gateways to Hell situated in the modern landscape, so famous in fact that it is addressed by the Hellam Township's website.  Briefly, the story goes that the director of a suitably rural insane asylum built a series of seven gates to control access to the institution.  Eventually, the asylum burned down, with many of the patients killed in the conflagration or in the immediate aftermath.  As the tale goes, walking through all seven of the gates will result in the stroller getting whisked away to Hell.  As the Hellam Township's website points out, there is much embellishment in this story, including the number of gates (one versus the fictive seven), the presence of an insane asylum (it was actually just a small hospital), and even the name of the road leading to the institution (a suitable romantic but sadly made-up "Toad Road").

However, it is interesting to note that, in this case, the Gateway to Hell in PA is a perfect little microcosm of the whole concept of Gateways to Hell.  A central, uncanny realm sequestered away from the rest of the world, access to which is controlled through mysterious gates, fire and wilderness symbols, and a single mad overseer that built the original gates.  A modern twist is added, however, in the form of a man-made hell, alluded to in the form of barbaric medical practices of the past century and the general "freakiness" of insane asylums as houses of radical transgression.

This man-made aspect is an important attribute of the modern Gateway to Hell, a feature largely absent from their ancient and medieval precursors.  A particularly telling example of this is the "Well to Hell Hoax", which made its rounds in the late 80s and the early days of the internet.  Here, the theme of human and scientific hubris is neatly interwoven with a hidden, supernatural realm below the Earth.  Briefly, Russian geologists were supposed to have drilled a nine mile deep hole into the Earth's crust, as which point they encountered a hollow space with anomalously high temperatures.  They then lowered a microphone down, recording sounds of screaming and torment (later proved to have been cribbed form a horror movie), the idea being that these scientists had literally transgressed into Hell.  Christian broadcast television, particularly TBN, used this story as a modern day St. Patrick's Purgatory, citing it as evidence of the literal existence of Hell and therefore a call to conversion and worship.

Interestingly, and this is pure speculation on my part, this story may have been influenced by the actual, historical occurrence of a natural gas fire at Derweze, Turkmenistan, from the 70s.  Here, a Russian gas drilling operation resulted in a collapse and exposure of an enormous, gaping hole.  Hoping to avoid a release of poisonous gaseous hydrocarbons, they decided to set it on fire, believing it would burn off in a matter of days.  The fire, of course, still burns to this day.

Derweze's Door to Hell, a natural gas fire in a collapsed well

Gateways to Hell are a part of the cultural landscape, though our relationship to them has changed over the years.  Initially they were components of cosmic architecture, accessible through spectacular natural wonders like volcanoes of caverns.  They played a role in linking the actual, physical presence of the gods or God to discrete landscape elements and, therefore, to everyday human existence.  Modern day Hellholes, largely a subset of urban legends and paranormal lore, reflect our changing sensibilities.  Rather than finding them in fire mountains or unplumbed caverns, infernal explorers have situated them in abandoned institutions or ruined architectures, man-made places that are being reclaimed by the natural world.  And, along with the trees and wildlife, story-tellers have brought supernatural elements of a subterranean otherworld, a heterotopia of skewed perspectives and alien morality, perhaps reflecting a return of the Judeo-Christian concept of Satan or Lucifer to his pagan roots as a Horned God of the Wilderness.  Like all myths, there real existence and power lies in exploring how humans view themselves in relation to their surroundings, and how they contextualize concepts of "otherworldlyness" on the landscapes they inhabit.